Large plate - Kamakura-bori peonies

US$29.00
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Vintage item

Details

This vintage large plate, or shallow fruit bowl, is an imitation of the traditional technique of Kamakura-bori*, hand-carved woodenware. Indeed, for those who appreciate lacquerware but are looking for more affordable and more durable items, some makers produce plastic items (instead of wood) that would still be covered with lacquer by hand.

The back of the plate is completely black but it is very shiny therefore you can see a lot of elements reflecting on it.

*You can read more about this craft at the bottom of the page.

Composition

Lacquered plastic

Dimensions

  • circumference 30 cm

  • height 3 cm

  • weight 275 g

Conditions

Never used, found new and packed in its original box and wrapped in plastic (see last photo) I removed the plastic.

Made in Japan. Sourced in Kyoto.

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What is Kamakura-bori?

Short story

The origin of this technique goes back about 800 years. It consists of carving the wood before applying different layers of lacquer. 

Kamakura-bori (鎌倉彫: litterally “Kamakura carving”) appeared in the Kamakura region during the period bearing the same name (Kamakura period, 1185-1336). It was born from the desire of Japanese artists to reinterpret the lacquer carving techniques imported from China at that time. 

The Chinese objects they could observe were made by applying several layers of lacquer and then carving the patterns. To step away from the original sophisticated and busy style of the Chinese lacquer, it was decided to proceed otherwise and carve the wood first, before applying the lacquer. This way, the final render would look much more natural.

It is this final polishing that brings out the beauty of the patterns and textures.

Technique

There is usually a specific pattern carved on one area of the object. The pattern most commonly represents natural elements such as peonies or other flowers, or arabesques. The rest of the surface is carved in a seemingly coarser way, creating intentional chisel markings which give the Kamakura-bori its unique aesthetic. Several layers of lacquer are applied, and at the end,  the surface is polished to slightly reveal the underneath layer. On the pattern area, we might even add black ink and rub the surface so it seeps into the fine lines and outlines of the pattern to make them stand out even more.

Lacquer is very slow to dry and needs the right heat and humidity to do so. Each layer must be applied on a perfectly dry surface so the whole process takes a long time to be completed.